Adventures in Katidom

I went on a little road trip today. Today was the Illinois Alpaca Owners and Breeders Association's annual Alpacafest.

First, feel free to sit in surprise with me that there are enough alpaca owners and breeders in Illinois for there to be an association.

OK, anyway. The Alpacafest was held in East Peoria in previous years, but lost their venue, so this year they were an hour+ north in Princeton.
I'm not a "small town" kind of person, but I have to give some respect to any place that has a tattoo parlor named "Torrid Tattoos."

I've never been to the Alpacafest, but the fibery people in my life spoke rather gleefully about it, and I need to get out of the basement more, so I went up with not much idea of what to expect. It's a fairly small show: two buildings of I'd guess 1000 sq ft each of animals waiting to be judged, and another building with half a dozen or so vendors.

Alpacas are smaller than I realized. Most of them were about waist/ribcage high on me at the shoulders and as tall as me at the head -- and I'm right at 5', and short waisted. So about 3 feet at the shoulders and 5' at head. The nice lady who sold me toys told me they usually weigh around 160 lbs. I'll confess to jokingly thinking "a girl could just about hide one of those in her basement."

Seriously, it's one of those shows that makes you go "I wanna be an alpaca farmer!" Until you see someone sweeping alpaca poop, and then you think "On second thought, you be the alpaca farmer. I'll just pet your critters and buy some fleece."

No one told me that alpacas make the cutest noise! It's this squeaky whiney cooing thing. It's cute, especially coming from a critter this size.

And of course, I bought things.

That's 500 yds of laceweight alpaca yarn (enough for a basic shawl), 4 oz of cria roving (baby alpaca. It's soooo soft!), and a teddy bear made from alpaca. The bear isn't squishable, but it is really terribly pettable. The fur is so soft, you'll pick it up and not want to put it back down.

I got a chuckle out of the vendor with the roving and bear with one of my usual mannerisms. Said I wanted 4 oz of roving, and "one of the bears wants to come home with me".
I also do enjoy a show where when you walk up to one vendor carrying bags from another, they go "ooh, where'd you get that?" in a yummy voice.

If the Alpacafest is back around Peoria next year, I'll definitely go again, but I'll probably skip it if its in Princeton again. It was fun, but as I said, small. I only spent about an hour there, and spent more than twice that on the driving.

On the way back, I went through Chillicothe, and along the road saw a sign for an antique store that said "Big sale today". I'm not the type who stops in every antique store along the way, but I do enjoy them. They sell me fountain pens cheap. So I found somewhere in town to get lunch, then went back to it.
It was one of those places that isn't really so much an antique store, as the stash of a packrat who justifies their collecting by claiming it's a store. Very packed with everything to really old unopened soda bottles/cans (seriously, Coke in the old bottles, some M.A.S.H. Beer), to a Gameboy that was running around there. No prices on anything, and the owner absolutely talked my ear off. No fountain pens, either, but I did find some pirns with yarn on them, and a miniature spinning wheel.

Everything spins that's supposed to on the wheel. Just add a little driveband, and it'll actually work. Well, technically; you don't have a whole lot of capacity on the spindle there.
And, all of that there was $5. If I'd known he only wanted $1 each for the pirns, I might have cleaned him out. Not that I have any idea what to do with the things, but they're kind of cool.

Oh, it just hit me that most people don't know what the hell a pirn is. It's used in weaving to hold the thread in the shuttle that makes the weft (cross threads). Handweavers often use them, but I understand a lot of modern weaving mills no longer do (although they're still common in less developed countries). They end up in antique shops or eBay when mills close shop or upgrade, and often they still have the yarn on them.

So, that was my day. :)

I'm glad I hit Ravelry first.

I am desiring a skein winder if I am going to be spinning regularly -- and I certainly plan to be. I have a homemade one from a former acquaintance, and a horizontal 4-arm swift that can also be used to wind. Neither works well. The homemade one was not as well thought out or built as it could have been. As its aged, the 'windmill' portion has started to droop so that the heaviest arm hits the main post in use, and there's no way to fix it because that person used wood glue instead of bolts to fasten it to the post. The horizontal one does not work well for me because I'm five feet tall, which means short arms, which means it's difficult for me to reach the handle without having the end of the arm slam into my tummy.

So, I've been in the market for a vertical skein winder. I had it narrowed down to either a Fricke, or a Will Taylor. Both have marvelous reputations. The Fricke's disadvantage was higher cost, especially for an adjustable one. The Will Taylor's downside is a 2-4 month waiting period, and no built-in counter. A counter is really a necessary to me, and not nearly as common a feature as it should be on skein winders, so I would be hoping that Noellenoodle was still selling her electronic ones when the WT came in. I wouldn't want to order it in advance, since the counter warranty period is about the same as the wait for the winder itself.

It's shocking to me how hard it is to find those add-on counters. It's just a magnetic pick-up! (*eye roll* 'just'. That's the engineer in me talking. ^_~).

Well, I was about ready to order the Will Taylor, realizing there was a risk of not being able to get a counter for it later. But before I did so, I decided to stop in Ravelry's 'Spinner's Marketplace' group to see if anyone was selling a skein winder, or even if I could get a Will Taylor secondhand without a potential 4-month wait. And from there, I was directed to WoodenSpinner's Etsy shop.

Wow. I ordered one of her skeiners right there. I won't be able to comment on the manufacturing until it arrives, but the engineering looks positively brilliant. It's adjustable, but with pegs instead of screws -- no stripping holes with age or having yarn tension slide your skein a little smaller as you go. There's a tensioned bobbin holder right on it, so you don't have to dig out a lazy kate. And of course, a counter. I am a little concerned about one feedback comment that complained about the windmill hitting the main post, which I didn't see until after I had ordered. I'll just have to see how it goes there. With cotter pin construction, though, worst case scenario I could probably knock out the pin and put a shim in place to fix that if it happens.

Anyway, I'm excited. I can't wait until it arrives and I can try it out. I guess I should ply something between now and then. (Ah, plying. My mortal enemy.)

Is Alden Amos good for anything?

A few years ago I borrowed Alden Amos' Big Book of Handspinning from the library, and I was less than impressed. Even if the book had been completely accurate, I would have turned off by the ego, the constant pimping of his products and dissing on others', and also the lavish praise on a seemingly unrelated person's products who if you look it up, you'll learn is his significant other. But the book is NOT completely accurate. It is littered with errors. From telling you to wind spindles off the end (please do not do that. Depending on the yarn you might be OK or you might end up with a horrendous mess, but it is always better to wind off the side), to the directions for measuring WPI that are completely wrong (he says to pack to refusal. No. It's not measured that way. The yarn should be gently laid next to itself, no gaps and no crowding).

However, he does have the only really detailed explanation of how a double-drive wheel's ratios work to produce take-up, so when I ordered a double-drive wheel, and got one of Borders' rare really good coupons that brought the book down to a reasonable cost, I bought myself a copy just for that section. I read it over again, and... it's basically bunk.

The math is perfectly fine, but it only works on paper. He's neglecting major contributors like, say, driveband drag -- which is the single biggest factor in determining take-up once your whorl ratios are set. Adjusting driveband drag is how you set your take-up rate. So the three pages of calculations are basically worthless except as academic interest to set your minimum. He does eventually talk about driveband drag, after many many pages of theoretical babblings. So the whole theoretical thing is basically worthless.

Just like Scotch tension, with double-drive you set your whorls, and then tighten something to adjust your take-up. Double-drive pulls in more gently and adds twist as it does. That's all you need to know.

Then, just to add insult to injury, another huge glaring error. Alden tells you that your driveband MUST cross a certain way on a double-drive wheel, and you must change the crossing to the other direction when you switch between spinning and plying. The only way to change this crossing is to either cut the driveband off and tie on a new one, or take the drive wheel off.

Luckily, I stopped, blinked a few times, and said to myself "There is no way our foremothers were destroying their precious hand-spun drivebands or taking their wheels apart several times a year." So I went elsewhere and looked it up.

You know you switch from spinning to plying on a double-drive wheel? You pedal the other way. That's all. You don't do a damn thing to the driveband.

Honestly, I have never seen another instructional book with so much that's just flat out, disasterously wrong. I'm honestly getting to the point where I wonder if anything in this book is right. I really do think it's more wrong than right, so it is really sad that this book is one of the "spinning bibles" out there. Luckily most people either can't afford it or aren't that interested in the theory, and own better more correct books, because if this had been the most common book for new spinners, the community would spend the next two hundred years undoing the damage that man had done. It absolutely blows my mind.

Spin-In News

Whew. Just got back from the Spin-in. Downtime was not a significant problem. Ooh, let's see...

My gloves won second place in their category! Go me.

I was not insane-impressed with most of the vendors. I didn't come home with any yarn. I did come home with a bunch of roving, because I'm like that. I am a sucker for silk, especially tussah roving and mawata (i.e. silk "hankies"). But I didn't spend nearly the amount of "petty cash" that I took.

I did, however, buy a spinning wheel. Actually, a bit more than that. I bought THE spinning wheel: a Schacht Matchless. I got to try one there, and it was soooo nice. Absolutely lives up to the hype.

I was planning to order a Kromski after this event unless I found a wheel I liked, but I did have in the back of my mind that if I found a Matchless for a good price, I'd go for it. I did, so I did. Got some nice freebies, too. The only down sides are 1) it's an order, not a carry-out, so I'll have to wait a week or two to play with my new toy, and 2) it's a single treadle. Under normal circumstances I slightly prefer a double, but the huge treadle of a Schacht makes it not normal circumstances. Because of the design, I think a single will be just great, and quite a bit cheaper.

So, very soon I will have in my possession a spinning wheel that will do everything I ever ask of it. So of course, then I HAD to buy roving, you see. :)

I think I've gotten enough big toys until after November, though. ^_~

I also tried the Schacht Ladybug. That is also a very nice wheel. It can have a place on my short list, too.

Oh, and I learned microwave dyeing. Given my love of insane-bright varigates, hand-dyeing may be in my future.

I don't have a project?! What do you mean, I don't have a project.

This posts is actually about three posts. And I'm running around trying to get ready for the spin-in/itty bitty fiber festival I'm going to, so it might be disjointed as well.

Lookie what I finished!



They're blocked and everything, but still a tiny skosh damp. At the suggestion of my knitting group, I'm planning to enter them into the "Viewer's Choice" awards at the spin-in tomorrow. Unless I get lost and don't get there in time to enter. Think kind of like a county fair type of competition. Just friendly, the most you stand to win is a ribbon.

It's always amazing to me what is hard or easy to people. One of the ladies at my knitting group brings these amazing lacework shawls and she's just whipping through them while chatting up a storm. I have to be completely alone in relative quiet to handle lace. On the other hand, just about everyone went insane over these little guys and were absolutely amazed (and asking me to teach a class on it). Yet the reason that I brought these is because up until I got to the original colorwork fingers (not used because they were too tight), they were a project I didn't have to pay much attention to.

At least to me, the hardest part about colorwork is learning to knit with your off hand. Once you know that, you're just switching which hand you wrap the yarn with.
However, motif work like this is the one time I wish I was primarily an American knitting instead of continental. For absolute best appearance, for most people and myself included, the background yarn should be knit with the right hand and the motif yarn in the left. Because of the way the yarns lay on the back, the left-hand yarn pops out a tiny bit more. However, I am MUCH faster and more natural wrapping with my left hand. Trying to do all the background with my right would not be all that much fun, not to mention slooooow. And the effect is so subtle that it's literally a subconscious perception; only the most absolute expert would be able to tell which yarn was in which hand looking at the finished pieces. As long as you're consistent, no one will consciously notice.

Anyway, spin-in tomorrow. If I'm entering something, I've got to be there for at least five hours. It's an hour away, so I can't really leave and come back. I've never been to this before, so I don't know if that's a problem or not. There are workshops, but I'm unclear whether the ones I most wanted to take have been cancelled or just aren't on the online schedule for some reason. I've heard the vendors are amazing, though. I'm hoping to stock up on pretty yarn (dude, I need buttloads of fingerweights in bright multi-colored colorways), and if I'm really super-duper lucky maybe I'll even find a spinning wheel -- but I won't hold my breath there.

Nonetheless, being a spin-in, eventually I'm probably going to want to sit down and work on a project. I'll throw a spindle in my bag, but knitting is cool too and keeps me occupied longer. But, I've discovered I don't have a project I can take!

What have I got going right now? Um... two lace things. I can't work on lace and be friendly and social at the same time. (And one's going to be frogged anyway.) I finished my gloves. I haven't started my sweater, and I need to measure, wash, and re-measure the swatch first because I've never used the yarn before and I'm going to basically rewrite the pattern. I guess I'll start something. I was going to start a sweater for an MSD, but that has to be custom fit and I do NOT want to carry a doll around. So I think I'll take the stuff for the nerdly mittens I want.

I have got to just buy a metric buttload of Dale of Norway Baby Ull in black and in white. I'm thinking 5 to 10 skeins of each color. I love the stuff.

Anyway, I need to be getting stuff together for tomorrow, so ja ma!